Sera o teatro do eu boy outro, o teatro da pureza, perform surreal.Keir Elam éscribe al respecto: Thé pretty reality of their look on phase suppresses the practical functionality of phenomena in favour of a emblematic or signifying function, enabling them to take part in dramatic representation.
Su acercamiento no sera slo descriptivo sinó discursivo-terico y nunca valorativo. A realistic picture or portrait would after that possess both a désignatum and denotatum, whéreas a scene or family portrait of a solely imaginary entity or individual would have only a designatum; Classic vase Eugene N. It will be not, once again, the dramatic referent the object in the represented planet that will be demonstrated, but something that conveys its course. Fabin Gutirrez préfiere denominarlo como éspacio espectacular teatral ó lugar teatral. Mis dibujos quiéren ser una protésta en contra deI teatro realista y su anarqua. En su sistema sémitico no vacil én montar en éscena elementos plsticos, Iiterarios, cinematogrficos y gestuaIes, junto a objétos con documentos reales258. Sergei Radlov (1892-1958) escriba al respecto en 1923: Constructivist actions and the visible richness of them enhance the demands we create on the brand-new actors body. To replace a spatial issue with temporary, and to allow not the hearing but the eye of the spectator feel the circulation of time, to plunge him into temporal emotions, can be an executing of wonderful difficulty. Decelerations, accelerations, reps of actions, violent adjustments in quickness accomplish this. But these temporary feelings, of course, are created far even more easily through audio. Not only by the sound of voice, but also by the stand of feet, by the clatter of objects in the actors fingers, he allows us listen to the growing of time. A thing can be not just noticed, but furthermore noises under the secret contact of his hands (). All amounts of either aeroplanes, cubes or cylinders, keen or up and down, are performed up, accentuated and revealed thanks to motion constructivistically installed to them. Antepuso lo cintico con lo arquitectnico á lo literario y () compuso escenificaciones articuladas y dinmicas263. Todos salvo Andr Antoine279 y Konstantin Stanislavski, quién no tarda én profundizar én su objetivo con en poner en convivencia lo vivido con lo imaginario, lo material con lo espiritual, lo visible y lo undetectable280. En esta fuente bébi Pirandello y, partiéndo del all, fórj su dramaturgia. The method and the aesthetic history of this dramatic force were provided both by Pirandellos tale fantasy and by his concepts of the repulsive elucidated in his quantity Umorismo (Laughter). A dopplegnger is usually usually the ghostly version of a residing person. It can also imply a double, alter pride, or also another person who has the exact same name. In analyzing the dopplegnger as a clairvoyant projection triggered by unresolved stresses, Otto Rank decribed the dual as possessing traits both contrasting and antithetical to the character involved. Como seala Médina, destruir ha resuItado gozoso, incluso imprescindibIe.
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